Archive: July, 2007

globe unity | company

Sunday, July 8th, 2007

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GLOBE UNITY: JAHRMARKT/LOCAL FAIR Po Torch PTR/JWD 2

Kenny Wheeler, Enrico Rava, Manfred Schoof / trumpets, Gunter Christman, Paul Rutherford, Albert Mangelsdorff / trombones, Evan Parker, Peter Brotzmann, Anthony Braxton, Gerd Dudek, Rudiger Carl, Michel Pilz / saxophones & reeds, Alex Schlippenbach / accordion & piano, Peter Kowald / conductor & tuba, J.B. Niebergall / doublebass, Paul Lovens / percussion and musical saw. Plus, on “Local Fair” (Side 2): the Wuppermusikanten Orchestra, the Wupperspatzen Orchestra, and Mousikon Synkrotima Spirou Papendreou (quartet).
Recorded; November 25, 1975 & June 5, 1976 in performance.

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GLOBE UNITY: PEARLS FMP 0380

Orchestra same as above, though Peter Kowald also plays bass and does not conduct, and Alex Schlippenbach does not play accordion.
Recorded: November 25-27, 1977 and February 21, 1977 (Schlippenbach piano solo)

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GLOBE UNITY: IMPROVISATIONS JAPO 60021

Orchestra same as above with the addition of Derek Bailey / guitar, and Tristan Honsinger / cello.
Recorded; September 1977.

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COMPANY 5 Incus 28

Leo Smith / trumpet and flute, Maarten van Regteren Altena / bass, Derek Bailey / electric and acoustic guitars, Tristan Honsinger / cello, Steve Lacy / soprano saxophone, Anthony Braxton / clarinet, flute, alto and soprano saxophones, Evan Parker / soprano and tenor saxophones.
Recorded; May 26, 1977.

The Globe Unity records move from extreme to extreme - at the one end (Jahrmarkt/Local Fair) having to do with form and its superimpositions, at the other (Improvisations) with the shattering of form completely, at least as a preconceived element, and in between (Pearls) having to do with form as a skeletal model around which improvisation takes place. Each record is completely distinctive, each has its own terms on which it works, and each is an important orchestral showcase.

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globe unity

Sunday, July 8th, 2007

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GLOBE UNITY SPECIAL: EVIDENCE (VOL 1) FMP 0220

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GLOBE UNITY SPECIAL: INTO THE VALLEY (VOL 2) FMP 0270

Kenny Wheeler / trumpet, Steve Lacy / soprano saxophone, Evan Parker / soprano and tenor saxophones, Gerd Dudek / tenor saxophone, Albert Mangelsdorff / trombone, Paul Rutherford / trombone, Alex Schlippenbach / piano, Peter Kowald / bass and tuba, Paul Lovens / percussion.

Both Recorded: March 31, 1975 at the “Workshop Freie Musik.”

The first Globe Unity Orchestra came into being in 1966 to perform the piece “Globe Unity” (written by Alexander von Schlippenbach) for that year’s Berlin Jazz Festival. The piece was later recorded (along with another of Schlippenbach’s compositions) for the European SABA label (Globe Unity, SB 15109) and, as a work that successfully bridges the demands of orchestral music with those of “free jazz,” it stands alongside the early music of Mike Mantler and Carla Bley (hear, if possible, Communication, Fontana 681 011, recorded 1964, and Jazz Composer’s Orchestra, JCOA, recorded 1968).

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wolfgang fuchs | all-star band of bay area improvisers | six fuchs

Wednesday, July 4th, 2007

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Download “An Impish Onus In The Vogue” (mp3) Download “(Loosely) Second Iridescence” (mp3)
from “Six Fuchs”
by Six Fuchs Label: RASTASCAN RECORDS

Improvisations
by Fuchs, Robair, Djll, Perkis, Shiurba, and Sperry.

This group improvisation features a sextet that features Berlin-based clarinetist and saxophonist Wolfgang Fuchs with an all-star band of Bay Area improvisers: Tom Djll (trumpet), Tim Perkis (laptop), Gino Robair (percussion), John Shiurba (guitar), and Matthew Sperry (bass). This is also the last recording session by Sperry before his tragic death. Robair and Sperry have recorded together with Tom Waits, and together with Shiurba have recorded and played with Anthony Braxton. At times the music is both ambient and dark, with a richness that transcends the characterisation of free improvisation.

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 an impish onus in the vogue [2:42m]: Play Now | Play in Popup
 (loosely) second iridescence [11:43m]: Play Now | Play in Popup

peter kowald | miya masaoka | gino robair | illuminations (several views)

Wednesday, July 4th, 2007
 view sixteen [2:47m]: Play Now | Play in Popup
 view ten [3:48m]: Play Now | Play in Popup
 view twentyone [3:47m]: Play Now | Play in Popup

derek bailey | evan parker | arch duo

Wednesday, July 4th, 2007
 one [12:23m]: Play Now | Play in Popup

daniel blinkhorn | descent with modification

Tuesday, July 3rd, 2007

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14 Euro inclusive shipment worldwide for this pre-release of Daniel Blinkhorn’s surround-sound DVD

The title of the work refers to adaptive radiation, a term indicating the rapid evolution of a single ancestral organism into numerous other organisms that are each adaptively specialized to occupy particular environmental conditions…

A duality exists in the piece at the intersection of the figurative, where transitory images of sonic miscellany coalesce, and the literal, where the sound transformations function as distilled narrative, combining the physical and gestural characteristics of performance into a series of primal soundscapes, all of which depict the adaptation from one ecological niche to another…

Through transformations applied to recordings of physical gestures generating fret squeaks on the classical guitar, I have sought to create a work that, on the one hand captures the torque click of the machine head, the buzz of wound strings on brass frets, droplets of sweat on the tips of fingers and the squeal and chirp of friction, whilst simultaneously occupying a larger framework encompassing ecological diversity; from the single sound to a rapid divergence of highly specialised sonic environments, as in descent with modification…

This piece also exists as an audiovisual work in surround sound…

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 descent with modification [9:56m]: Play Now | Play in Popup
 descent with modification quicktime stereo excerpt [3:38m]: Play Now | Play in Popup