Archive: 'poetry'

todd moore | writing dillinger in the eye of the hurricane

Sunday, September 23rd, 2007

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WRITING DILLINGER IN THE EYE OF THE HURRICANE | Todd Moore

The writing of The Name Is Dillinger is just about the clearest recollection I’ll ever have of writing a poem. Especially a long poem. It came on as a dammed up fit of rage, desire, power, and expectation. It was April,1976, a Saturday night, and I was becoming more and more restless. I couldn’t sit down and be comfortable and I couldn’t stand up. I was no good for conversation and pieces of me were beginning to burn up inside. I wanted to go somewhere and I really didn’t want to go anywhere at all. The one thing that I began to realize was that I was just starting to hear this voice that started way back in my throat. It was talking counter to all the ways that I was talking. But instead of the talk coming out, that talk was going in.

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michael gartner | a life without left turns

Sunday, September 23rd, 2007

whippet_ads-228dz07z.jpgMy father never drove a car. Well, that’s not quite right. I should say I never saw him drive a car. He quit driving in 1927, when he was 25 years old, and the last car he drove was a 1926 Whippet. “In those days,” he told me when he was in his 90s, “to drive a car you had to do things with your hands, and do things with your feet, and look every which way, and I decided you could walk through life and enjoy it or drive through life and miss it.” At which point my mother, a sometimes salty Irishwoman, chimed in: “Oh, bull–!” she said. “He hit a horse.” “Well,” my father said, “there was that, too.”

So my brother and I grew up in a household without a car. The neighbors all had cars — the Kollingses next door had a green 1941 Dodge, the Van Laninghams across the street a gray 1936 Plymouth, the Hopsons two doors down a black 1941 Ford — but we had none. My father, a newspaperman in Des Moines, would take the streetcar to work and, often as not, walk the 3 miles home. If he took the streetcar home, my mother and brother and I would walk the three blocks to the streetcar stop, meet him and walk home together.

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mark weber | chased out

Saturday, September 22nd, 2007

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CHASED OUT

my poor butt is sore from
sitting on this log too long
and these odes from old Rome
speak too clearly of the fickle
ways of mankind, and
there’s a certain fly I’d like
to feed to a spider, so far
up this canyon above Placitas, and
Albuquerque International is sending
its jets straight overhead, one
begins to despair of ever finding
a peaceful respite on this planet,
then
out of the blue
there is the largest cottonwood
I have ever seen! it makes me
nervous it’s so big I’m expecting
a giant cyclops with dinner on
his mind to chase me out
of here

Mark Weber
16sept07 Sandia Mountains

rd armstrong | yardbird burned

Thursday, September 20th, 2007

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YardBird Burned (A duet written for voice and sax)
by RD Armstrong

YardBird burned
All Wick — No Candle
Made it to the sun and back
Unlike Icarus –
YardBird couldn’t burn out –
his spirit was the flame by which
HE burned.

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raindog aka rd armstrong | zoot

Wednesday, September 19th, 2007

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Zoot

I thought I saw the ghost of him
floating over the boulevard
at half past ten last night.
His tenor called to me
down the long corridor of
the Harbor freeway,
distant and haunting
like the final notes from
Micheline’s Hohner
lost in the screech of
brakes at ride’s end.

I’ve got it bad.

I thought I felt a strand of
moonbeams or was it
a string of notes, gently
wrapping themselves
around my legs, sending
me tripping across
Hawthorne nights.
Sending me into
a velvet fog so
cool and wet that neither
A Train nor Strayhorn
could guide me
swinging low
back home
to your
lush
life.

And that ain’t good.

RD Armstrong

norbert blei | chi town

Wednesday, September 19th, 2007

rd armstrong | eyes like mingus

Wednesday, September 19th, 2007

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Painting by Rigsby Smith

Eyes Like Mingus (For Steve Fowler)

Eyes like flint
like flecks of coal
like shiny bits of starless sky
trapped in the ruins of a slag heap

Eyes like molten steel
sullen and angry
piercing — a bullet finding its mark
like a jaguar
passionate and alive
yet hating the trap
pacing behind the bars
bars like a skeleton
trapped inside the mind
behind

Eyes like Mingus
like notes caught in the net
like the grid of notation
like Mingus
in shamanic Mexico
trapped in a chair
no strength to grip
no fingers to coax notes with
no feet to stand up and count with
no time — no signature

Eyes like concrete — shattering
like glass — splintering
like the wrecking ball’s slap
like voltage — unregulated
like a passion laid bare
to the gallery’s scrutiny
like the madman’s frothing nightmare
like the inexplicable accuracy of random fate
like a shot to the belly
like Coltrane’s “Favorite Things”
like your fingers — stilled

Eyes like an empty glass
staring bug-eyed into space
upturned and dispassionate
like a dream — lost in the stars

Eyes like Mingus
silent but never
silenced.

RD Armstrong

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norbert blei | notes from the underground

Thursday, September 13th, 2007

blei-2005.jpgCONNECTIONS A LÁ CYBER

Welcome to Monsieur K’s World - and Ours or Writing on Thin Air

One good reason today’s writer might hope to be heard in our world of constant distraction, diminishing readership, a culture gone kaput, rests in what you are now reading on the screen : the community of cyber communication which as writers we’re going to have to live with, study, understand, and utilize if we expect any audience at all. The time when editors, publishers, and agents rang you up for work, courted you with lunch, drinks, promises and blank checks is long gone– if you were fortunate to experience any of this at all. “You’re just going to have to do it yourself” is as true today as ever. Yes, there are still, and will always be publications out there to sell (basically give) your work to, and a handful of quality publishers large and small that might conceivably even invest in your work at their expense in the hope that it might make a little money for them - and maybe you. However, it’s increasingly unlikely these days you will find a publisher who truly believes in your vision as a writer.

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